
HOMEWARD BOUND
Chapter 5
The Tournament Continues
| I picked morosely at the pheasant wing,
Karelia and Gudrun eating in silence with me by the camp fire. I longed for things to be different between us. If only Karelia hadn't sustained that wound, and if only Gudrun hadn't applied that cursed bandage, and if only Honoria, for that was the name of the missing gladiatrix who attacked us, hadn't come back from the dead. We turn in to sleep. I take first watch. I am alone with my thoughts. I look at Gudruns sleeping form and remember my first encounter with her. I look to the crowd to acknowledge their congratulation, but they are booing and cat-calling. They didn't want a clean death. I am sickened by their decadence, and vow to take my revenge on them as soon as I can. I turn towards the gate, while the slaves come on to remove Lollia's corpse, lingering over it far more than is necessary. As I leave the arena I feel spittle land on my cheek, and a flash of anger overwhelms me. I glare up at the stinking masses, snarling, and their cowardly goading turns quickly to satisfying fear. Why do they treat us this way? With the men, there is admiration, but we die merely for entertainment. None of the women in the tournament are angels, indeed some, like Lollia, deserve to die, but none deserves to have their final moments on earth treated as mere spectacle. They may as well tie us to stakes and have wild dogs rip out our entrails if all they want is to see our death agonies. The only reason they don't this time is to pander to the particular perversions of the coward Maximus, who would clearly rather we women humiliated each other than trouble his slaves to do it instead. As I enter the archway, I see a shadowy figure out of the corner of my eye. I blink, and it is gone. Who can this be? Does it mean anything? The street whore Lucia greets me first when I join the others. She it was, who tended Velaris the Hun after her victory, and now she tends me. Her eyes are full of concern as she presses a damp cloth against the wound in my head. Who, I wonder, will show such concern for her, as they drive a sword into her belly when her turn comes. She is strong, there is no question of that. She is a trained dancer, skilled in the arts of entertaining men, but she is no fighter. Success in the arena is by no means guaranteed by the frenzied stabbing of a love-rival which brought her here. Honoria, who was so attentive to Valeris, while Gladius was choosing the next pairing, is still with Valeris. \Like Lollia she is all but naked, but her body is covered with strange mystical patterns. I don't hold to witchcraft, but in a strange way the fact that the big blondes body has no become an object of earthly desire for her, is strangely comforting. Valeris studies me as she sits beside her. "So," she says in her gutteral hunnic accent, "you and I have first blood, and it is likely that we will meet each other next time we fight." There is no fear in her eyes. Rather, her victory over the pathetic Dominia has given her confidence. A confidence I know to be sadly misplaced, although my exhibition against Lollia was not one to be proud of. "Where do you want my trident?" she asks, smiling arrogantly. "In your heart, in your belly or in your womb?" Honoria, her arm on Valeris shoulder, smiles at me, supporting her new ally. I remain expressionless. All her taunting does is to make me less concerned to kill her humanely when the time comes. Suddenly Karelia is standing before me. She was chosen by Gladius while Lucia was tending my head, and I feel a pang of guilt at not knowing. I take her arm, pressing her hand and smiling up at her to wish her good fortune. She inclines her head and smiles back at me, relief in her eyes. I watch her as she turns. Gladius has dressed this fine warrior in a short animal skin tunic, so that she can play the cavewoman to the depraved crowds out there. It is nothing short of an insult. I know she favours the gladius shortsword, but she has been equipped with an axe, and a flimsy wooden shield to defend herself against the Iberian Mercedes. Mercedes has been armed with a cruel serrated scimitar, and the belt of her long golden tunic sports a knife scabbard. The scimitar is heavy, and Mercedes, despite her size and power, needs both hands to wield it. Even so, a single blow will easily take off an arm, and will make matchwood of Karelia's shield. Mercedes barely acknowledges me as she turns with Karelia towards the arena. From behind the bars of our arena cell, I watch Karelia and Mercedes advance together to the centre to make their salute. My heart is in my mouth. I fear for Karelia, and shudder at the thought of what that wicked looking scimitar may do to her body. They turn to face each other, Karelia standing motionless, her axe at her side, seemingly relaxed. Mercedes, meanwhile swings her weapon menacingly, tossing her head as she snarls angrily. I pray that Karelia can keep cool. It is the only way to win. Mercedes strikes with a blood curdling yell, swinging her blade to split Karelia's skull, but Karelia steps back in the nick of time and the heavy weapon sweeps down int the dust. Mercedes follows through immediately, swinging the scimitar in from the side in an attempt to cut Karelia in half - and this weapon is more than capable of that. This time, Karelia drops to the ground under the blade, rolling to her feet as it paases harmlessly over her, and swinging her axe at Mercedes undefended midriff. This time it is Mercedes turn to take evasive action and she yelps as she skips backwards. The axe catches and tears her expensive golden robe and she screams her anger and frustration. Mercedes is already breathing hard, and Karelia's strategy, to allow her opponent to wear herself out, is sound. Again she stands before the Iberian, relaxed, waiting. Again Mercedes strikes, once more bringing the blade downwards towards Karelias skull, and it seems that she has caught Karelia by surprise for she doesn't move until the very last moment. Then she ducks forward, unexpectedly towards her opponent, and swings her axe as she passes the Iberian. Mercedes screams in shock as the axe bites into her side, and dark blood stains her beautiful robe. She looks down at the wound, her face a mask of horror, and presses one hand to it. Then she looks up at Karelia, who once again is standing motionless, glaring venomously. My fear for my friend begins to recede. Mercedes must surely weaken now, and the time when she can barely lift that scimitar cannot be far off. Then she will be Karelias plaything. But she shows no sign as she suddenly advances on Karelia, her blade weaving a web of lethal steel in front of her. Karelia backs away towards the edge of the arena. Surely she knows better than to allow herself to be backed into the side with no escape route! Then disaster strikes! The mob have been silently respectful until now, but as Karelia nears the edge, one of them throws an apple which hits her in the eye. She is momentarily stunned, but being a seasoned warrior, recovers quickly. It is enough for Mercedes, though. The serrated edge of the scimitar swings across, hitting Karelia's flimsy shield square on and shattering it into pieces. Karelia screams and is knocked to the ground her axe skittering away across the sand, though she is otherwise unhurt. I can scarcely stifle a cry of alarm as I see my friend flat on her back in the sand, legs exposed by her inadequate tunic, completely at Mercedes mercy. Mercedes smiles as she advances on her helpless victim, though by now she has lost a lot of blood, and her thigh, exposed by the slit in her red-stained robe, glistens red. With a cry, she raises the scimitar and brings it down. It would have split Karelia's body wide open, exposing her organs like a gutted fish, but Karelia rolls quickly and the wicked serrated edge buries itself in the sand a hairs breadth from her arm. Mercedes cries out with rage. Now, however, she is trapped. she lies up against the arena's edge, and the I can hear the indignant cries of the mob just above who cannot see what is happening. I can also hear the laboured breathing of both women. Once again Mercedes raises the evil scimitar and now, surely, there is no escape. Suddenly an anguished cry escapes from the Iberians lips. She arches her back and the scimitar falls harmlessly to the ground. She reaches behind her, spinning slowly on her heels to reveal an arrow burried between her shoulder blades. Then she collapses to the ground, her breathing ragged. Karelia is as shocked as anyone, and goes cautiously to her. Mercedes looks up at her and whispers. "We will meet again soon... and then at last.... I will have my.... revenge!" Then blood spews from her mouth, staining the sand, her eyes glaze and she is still. From where I am, I can see her lying on her side. The robe, split at the thigh, has slipped forward exposing her sex and I note absently that the genitalia of a noblewoman differ little from that of a common soldier girl like me. We are all as one in love and death. Karelia rolls her onto her front and her body, relaxed in death, quivers. She inspects the arrow embedded in the Iberians back. "Verna!" she whispers. There is a commotion in the arena. Soldiers are running everywhere, and the crowd is in uproar. The betting may not be as rich as it is for the gladiators, but enough money has changed hands to make Mercedes irregular death as source of contention. Karelia is being questioned by an angry soldier, and she backs away, spreading her hands in ignorance. Gladius comes to the rescue, spiriting her away from the mounting danger. "What is going on Karelia?" yells Gladius when he gets her back into our cell. She shakes her head feigning ignorance. She does not mention Verna, and neither shall I... except to her. "This is turning out to be a complete shambles," grunts Gladius. "You know they are burning heretics after this tournament! They may well end it now and send you all to join them." He looks around his face like thunder. It's odd. He is only one small man, while the rest of us are armed killers. Any one of us could take him, yet we cower at his words. It seems to occur to him that most of us are going to die anyway, so he decides to embellish the alternative a little. "If any of you fancy being doused in oil, and then impaled on poles in fromt of that mob... yes impaled.. and then having fire-arrows shot at you, rather than the torunament, I urge you strongly to think again!" None of us do. He turns and walks away to check on the situation in the arena. Karelia sags visbly as he leaves us, and I take her in my arms. I hold her tight, pulling her against me to comfort her. Even the bravest of warriors need their release. She pulls back, smiling, her eyes shining, and then kisses me full on the mouth. I am shocked. Among my people women may kiss, but such a kiss as Karelia gives me only happens between a man and a woman. Perhaps customs are different in Brittannia. Even so, once the shock has worn off, I find the experience not unpleasant, and respond accordingly. Finally, I ask her the question that has been burning in my mind. "Who is Verna?" She looks startled for a moment, and backs away. Then she shakes her head and turns. It is clear that she will not tell me, and so I take her hand and reassure her that it does not matter. Lucia and Honoria are preparing for their bout. Lucia, the dancing whore, is limbering up, stretching her legs and arms, in a way that makes me wince. She wears a short white tunic of silk belted at the waist with a stylish sash. There is a girlish innocence about her and looking at her face, there seems no trace of either the anxiety or cruelty that is seen in most warriors. It seems as if she lives her life for the moment only. There is much to recommend that philosophy. Honoria however, naked except or her mystical daubs and the studded belt around her hips, looks every bit the warrior. Unlike Lucia, she does not exercise. Instead she stares balefully at the prettier girl, attempting to catch her eye. Lucia looks at her and pulls a face, befor returning, undisturbed, to her workout. Honoria is unaware that Valeris is staring hungrily at Lucia, drinking in her movements as she exercises. There is no knwing how Honoria would react if she could read Valeris mind as I, and everyone else can! Gladius returns. The commotion in the arena has quietened down, and he tells us that the tournament will continue, as we had all expected. He arms Honoria with a cruel looking flail mace, while the innocent looking Lucia is given an over-elaborate looking long sword. Both girls are given shields, Honorias, painted White, Lucias painted black. They leave for their bout. I watch them go, wondering which one will not return. In this torunament nothing is certain. I look at the two fighters, squaring up to each other, and I can't say that I think much of Lucia's chances, although her sword does sit well in her hand. Its just that Honoria looks tougher and meaner, and I dread what she will do to Lucia's beautiful body with that mace. But Lucia surprises us all. With a yell, she spins on her heel, her sword and her leg swishing toward Honoria. Honoria parries the sword with her shield easily enough, but Lucias foot catches her on the side of the head, sending her staggering. Lucia comes round a second time and Honoria yelps in surprise and pain as Lucias sword lecerates the side of her ribcage. It is first blood to Lucia, but the blow is far from lethal and has only served to make Honoria angry. With a cry that would freeze anyones blood, she goes for Lucia, her mace swinging dangerously. Lucia ducks the swinging metal ball, dropping down to her haunches, and from her crouching position sends her foot into Honorias groin. Honorias battle-cry becomes a gurgle of pain as she doubles over, her hands over her pubic bone, and her eyes popping. In a flash, Lucia is up on her feet again. Honoria is at her mercy, and a professional warrior would kill her now, before she becomes a danger again. But Lucia is a show-girl. The crowd are loving her performance, and she wants to milk it for all she can. She skips past Honoria, trailing her sword, before bringing it up so that it cuts across Honorias upper chest as she passes. Honoria wails as the blade bites into the top of her left breast. Even as her blood starts to flow over the breast, Honoria's instincts are sharp. Lucia, who is behind her now, turns to lunge at her theatrically, her right leg thrust forward. Honoria, however, is fractionally too fast and for the first time Lucia looks awkward as her sword thrust is parried by Honorias shield. Honoria flicks her mace at Lucia wickedly, its chain passing between Lucias legs so that the vicious spiked metal ball whips up and thumps into her lower back. Among the most painful things that a human animal can suffer is a ruptured kidney. Lucias head snaps back, and her mouth opens in a scream whose silence is forced by her utter agony. She collapses to the ground, her body arched like a bow, while spurting urine stains her white tunic. Honoria, breathing hard, paces around her striken foe, making no move to end her agony quickly. She stoops to retrieve the discarded sword, and then, catching the top of Lucias tunic cuts downwards so that her pearl white body is exposed, the apple breasts quivering as she jerks, My heart is beating fast. As I watch the undulations of Lucias wracked torso, I know what Honoria is thinking - that such beauty is made to be defaced by the less beautiful. I glance at Valeris whose hand is to her mouth, eyes wide with horror. Perhaps, after all, Honoria did see her deire of Lucias body. With a yell, Honoria brings the sword down across Lucias torso. A red line appears from the crest of her right hip to her left sid just below the ribs. The line swells and the lips of the wound curl open like a hideous mouth to reveal the intricate whorls of her vital organs. Freed from their restraints, intestines slip from her body, flowing over the sand which clings obscenely to her vitals. I look away, knowing what the sight will do to me. Already I can feel obscene waves of desire course through my body. I close my eyes tightly, thinking of happier times, until the feeling subsides. Then I look again. Lucia lies dead, hands fluttering convulsively, and Honoria stands over her, one foot on her breast. Blood from her wounds stains her body, and her breathing is laboured, but she lives. I wonder which of the remaining three of us will face her in the next round. Honoria grimaces in pain as she applies a damp cloth to her wounds. She has discarded the belt and stands naked by the water sluices, her stocky body glistening as the water cleanses the blood from it. I watch her idly, and then turn my attention to the arena. They are having an interlude, while the slaves prepare the arena for the second round. Lucias body has made quite a mess, and there is a lot of work to do. At least one slave has been sick in the process. If you're not used to it, the stench of guts is quite overpowering and revolting. A warrior has to get used to it, though, and some have even learned to enjoy it. The so-called entertainers are lampooning us. They have come on with rouged lips and wooden swords and are skipping around talking in ridiculous falsetto voices. The crowd are howling with laughter as one of them falls to the ground and the other pushes his sword up his tunic. The 'victim' simulates the pleasure of love-play and the crowd go hysterical. I call Gladius over and ask him between gritted teeth what he thinks. He looks at the scene, then at me, then at the ground. 'It's entertainment,' is all he can say. 'none of us has any choices.' I hate them. I hate them with all my heart! Will continue in chapter 6... |